My eye comes from Duvalier, Aristide, and the shadow of the Tonton Macoute. Power was theatrical. Image could kill or crown. I learned early the danger behind elegance, the seduction of spectacle, the world-building of identity—how it’s worn, staged, mythologized.

My taste is tactile. Newton’s danger. Caravaggio’s shadows. Noah Davis’s stillness. Bofill’s cement cathedral. A 1942 La Tâche on a silent table in L.A. Bellucci in Malèna. Damage, In the Mood for Love, Palindromes. Levittown’s eerie calm. Manno Charlemagne’s pain. Lost My Dog to Fentanyl. Buena Vista Social Club. These aren’t just references—they’re ingredients. They live in my work.

I build elegant, emotional worlds—narrative, visual, and immersive. I bring mood, memory, and desire into form. If you’re hiring me, you’re hiring a vision—and the hands to execute it. Community is one of my materials. I don’t just curate aesthetics—I curate people, energy, and outcomes.

Recognition
D&AD Shift: Runner-up – Lone River (2025)
D&AD Shift: Winner – Airbnb “LIve Local” (2025)

Clients / Collaborators
Airbnb, Kraft Heinz, Lone River Ranch Water, An Only Child, Kodak Film 

Contact
jephcange@gmail.com
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